unit 67 pedal DryBell Unit67-Red
SKU: 7836450475
unit 67 pedal

unit 67 pedal DryBell Unit67-Red

Sale price$19.26 Regular price$21.40
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Description

unit 67 pedal DryBell Unit67-RedThe Unit67 is a compact and fully analog device that has a highly versatile EQ set including a Rangemaster like mid control, a boost and an 1176 type of compressor all in one extremely practical guitar pedal. When we started working on this pedal, we wanted to be as unique as possible in todays pedal world and that was no easy task. Imagine getting THAT sound you have in your head from just one pedal. You know that playing feel when you play through a

The Unit67 is a compact and fully analog device that has a highly versatile EQ set including a „Rangemaster-like“ mid control, a boost and an 1176 type of compressor – all in one extremely practical guitar pedal.

When we started working on this pedal, we wanted to be as unique as possible in today’s pedal world and that was no easy task.

Imagine getting THAT sound you have in your head from just one pedal. You know that playing feel when you play through a loud or overdriven amp, when every note comes out easily and you can play effortlessly? Well, that’s what the Unit67 is all about, only you don’t have to play LOUD or with an overdriven sound to get there.

It doesn’t matter what your playing style is, how loud you want to play or whether you use any other pedals in your signal chain. The Unit67 is a versatile multi-functional tool which will improve almost every tone to the next, harmonically rich level. Unit67 gives you an exciting new playing feel and response which you’ll immediately love.

Connected in between your guitar and amp, the Unit67 becomes an extremely powerful and handy tone shaping tool. It’s also very versatile in terms of pedalboard position, you can place it anywhere you like it and it will work its magic

1176 type of compressor,
EQ set with the Range (Master) mid control AND High output Boost

Based on a clean (and semi-clean, read more) boost, which is the foundation for many guitar setups, we’ve implemented a very carefully tuned combination of fully analog features in the Unit67, useful to a wide range of musicians and playing styles. Also, our goal was to make it the simplest and most practical for the user.

A boosted sound in itself is great, but you can get much more of it. Sustaining notes are often a big helping hand to guitar players, so we decided to implement the next great feature of the pedal: a Compressor.

After serious development and inspired by the unique sound and feel of the 1176’s design, we’ve created our very own low noise compressor circuit for this pedal. It is transparent and it has a parallel compression circuit (blend), so you can add a right amount of sustain while retaining pick dynamics with just one simple knob (Sustain). Yes, you have DryBell’s take on the mighty 1176’s engine in this small box!

You can find more about how we developed Unit67’s 1176-like compressor feature HERE!

Of course, that was not the end of the Unit67’s journey. We’ve implemented additional controllability: an EQ set that consists of low and high controls and also a very specific sounding “Range” control.

The Range (Master) control will help you cut through the mix and will enrich your tone with the glorious sparkle often associated with the old classic Rangemaster. In situations when you’re using darker toned amps or guitar pickups, “The Range” will always add a harmonically rich sparkle to your tone.

Combined with a touch of sustain and boosted just enough to give you THAT tone, “The Range” will give some serious bite to your sound which is another way to push you through the mix while playing lead.

Unit67 is a sublime combination of several effects working in perfect synergy!

The main idea behind it came from experienced minds in two different fields: Zvonch, the DryBell founder and an expert electronics engineer, and Kruno, DryBell team member and professional guitarist with many years of live and studio playing time. We’ve combined the best of both worlds and after thousands of working hours with the rest of our team to make this design perfect, we’ve created something very special for you to enjoy.

From the very beginning of the Unit67, starting with the first breadboard prototype, we were simultaneously developing and rigorously testing it with a ton of different amps, pedals and guitars and no matter what setup was used, it benefited from the magical touch of the Unit67.

Besides that, the learning time to get comfortable with Unit67 is virtually non-existent and within a few seconds of playing, you’ll find instant satisfaction.

With all that being said, it has been a challenging but fun two year journey for us and now it’s up to you to try the Unit67 for yourself. Prepare to be amazed!

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SKU: 7836450475

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4.3 ★★★★★
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K
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Kindle Customer
Chelsea, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2019
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Ryan of the East Coast
Bozeman, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Kris
Draper, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
A
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Alex Lamberd
Whiting, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014
L
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Logan Fogg
Bozeman, US
★★★★★ 5
MUST READ
Format: Kindle
Best Batman! This and the long Halloween are peak! Listening and reading the dc high vol on spotify is amazing
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 16, 2025

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